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About Joseph Peller
The artist prefers working from life using a small circle of friends, and occasionally himself, as objects of exploration. His sketchbook drawings and oil studies, done "in situ," seek the "essential incident" which he supplements with his visual memory to inform the development of his larger work. Peller enjoys experimenting with a wide range of pure and mixed techniques involving oil, pastel, various printmaking procedures, drawing and sculpture. The artist has exhibited in solo exhibitions in New York and Toronto, and has participated in group exhibitions in the United States and Canada and Europe. Peller's work has received recognition in national exhibitions and mention in several publications including The New York Times, New York News Day, The Wall Street Journal, and American Artist Magazine. He is the recipient of the Alden Bryan Memorial, the Dr. David Soloway Memorial Award, the Len G. Everett Award, and the National Sculpture Society Award for Figurative Sculpture. He has taught at the New York Academy of Art and currently teaches Painting and Composition at the Art Students League of New York. Born in Toronto in 1953, Peller's independent development has generally favored private affiliation with artists whose body of work shared common themes with his personal vision. Initially, he studied with A.K. Scott, a Canadian artist and pupil of the distinguished American painters Charles W. Hawthorne, and George Bellows. While still in high school he received a scholarship from the Banff School of Fine Arts to study drawing with Geo Glyde. During formal study at the School of Architecture at the University of Toronto, he maintained a private liaison with Canadian painters Kenneth Forbes and Cleve Horne. His development continued in New York working with noted artists Thomas Fogarty, Jr., and Hilary Holmes at the Art Students League, and Ron Sherr at the National Academy of Design. During this time he received a Revson Foundation Grant from the Art Students League of New York, in 1985. Joseph Peller is represented in public, corporate, and private collections in the United States, Canada, and Europe. Currently, he lives in New York City where he works out of his Brooklyn Navy Yard studio on the East River waterfront. |
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| 2010 | Complimentary Themes: A Journey from Metropolis to Mountain Hamlet, Roberts Gallery, Toronto, Canada | |
| 2008 | Surviving the Darkness, Urban Fragments, ACA Galleries, New York New York 2008 | |
| 2008 | In the Light, the City Transfigured , Roberts Gallery, Toronto, Canada | |
| 2005 | Sunrise, Sunset – the City , Roberts Gallery, Toronto, Canada | |
| 2004 | Metropolis, Myth and Destiny, ACA galleries, New York, NY | |
| 2003 | Intermezzo, The Roberts Gallery, Toronto Canada | |
| 2002 | The Essential Moment: A Survey of Paintings, Works on Paper, and Sculpture, Thomas J. Walsh Art Gallery, Fairfield University, Fairfield CT | |
| 2002 | Songs Without Words, Rittenhouse Fine Art, Philadelphia, PA | |
| 2001 | Spirits of Place, The Roberts Gallery, Toronto, Canada | |
| 2001 | Urban Interludes, The Cultural Exchange Gallery, Scottsdale, Arizona | |
| 1999 | Hidden Seams: Modern City Life Observed, Solo Exhibition, Roberts Gallery, Toronto, Canada | |
| 1998 | Unnoticed Rituals, First Street Gallery, New York, NY | |
| 1997 | Variations on Urban Themes, Art Gallery Conference Center, Fairfield University Fairfield, CT | |
| 1997 | Urban Ether Joseph Peller Recent Work, First Street Gallery, New York, NY | |
| 1994 | Women with Attitude, First Street Gallery New York, NY | |
| 2009 | New York: Then and Now, ACA Galleries, New York NY | |
| 2009 | Humanity: 100 years of Figurative Painting, ACA Galleries, New York, NY | |
| 2007 | Into the Heart of the Southwest: 20 Painters Interpret the Forbes Trinchera Ranch , The Forbes Gallery, New York, NY | |
| 2006 | "Why the Nude", Art Students League, New York, NY | |
| 2006 | International Fine Art Exhibition, Frankfurt, Germany | |
| 2006 | Splash: Artists' Reflection on Water, ACA Galleries, New York, NY | |
| 2005 | Continuum, ACA Galleries, New York, NY | |
| 2004 | Allied Arts of America 91st Annual Exhibition, New York, NY | |
| 2004 | Love, The Art Students League of New York at Salander O'Reilly Galleries, New York, NY | |
| 2003 | Small & Everlasting, ACA Galleries, New York, NY | |
| 2003 | Cast Art 4, Curated Sculpture Exhitition, Dusseldorf, Germany | |
| 2002 | Art of the 20th Century, New York, NY | |
| 2001 | The Discerning Eye, Hoorn-Ashby Gallery, New York, NY | |
| 2001 | Allied Artists of America at The Butler Institute of American Art, Youngstown, OH | |
| 1999 | 30/30 Thirty Works By Arts Students League Alumni, A Juried Exhibition, New York, NY, New York, NY | |
| 1997 | Urban Landscape Five New York Painters, Curated Group Show Sponsored by the Marine Midland Bank & Organization of Independent Artists, New York, NY | |
| 1996 | Art and the Law 1996, Traveling Exhibition, Kresge Art Museum, East Lansing MI, University of Tulsa College of Law, Tulsa OK, Miami University Art Museum, Oxford OH | |
| 1996 | The 25th Juried Show, Juror: Susan Krane, Curator High Museum of Art, Allentown Art Museum, Allentown PA | |
| 1995 | National Works on Paper 125th Anniversary Exhibition, Curator: Catherine Valenza Director, Islip Art Museum, St. John's University, New York, NY | |
| 1994 | National Academy of Design 169th Annual Exhibition, National Academy of Design Museum, National Juried Show, New York, NY | |
| 2006 | The Alden Bryan Memorial Award, 93rd Annual Exhibition Allied Artist of America, National Arts Club | |
| 2000 | The Dr. David Soloway Memorial Award, New York | |
| 1994 | The Len G. Everett Memorial Award, New York | |
| 1992 | National Sculpture Society Award for Figurative Sculpture, New York | |
| 1985 | Revson Foundation Grant, Art Students League, New York | |
| 2010 | "Classical Life Drawing Studio", Sterling Publishing Co., New York, London, 2010. | |
| 2008 | "The Self in Contemporary Self-Portraits", Ephraim Rubinstein, American Artist Magazine, New York NY, October 2008. | |
| "Joseph Peller, Surviving the Darkness", Joshua Rose, The American Art Collector, Scottsdale AZ, September 2008. | ||
| 2007 | "Painters Interpret the Forbes Trinchera Ranch" , by M. Stephen Doherty, American Artist Magazine, New York, NY | |
| 2006 | On the Cover, Kate F. Hays, American Psychologist, Washington, DC | |
| 2005 | Talent Spotting at the Art Students League Anniversary Exhibitions, American Art Collector, Scottsdale, AZ | |
| 2004 | Art and Antiques, September 2004: “Gallery Watch”, Atlanta | |
| 2001 | Printmaking in the Sun, Dan Weldon, Pauline Muir, Watson-Guptill, New York, NY | |
| 2001 | A Moment in Time, Jennifer Cushman, Scottsdale Life July 2001, Scottsdale, AZ | |
| 1998 |
Joseph
Peller: Paintings, Works on Paper, Sculpture, "Joseph Peller: Romantic Myth, Realism, and Aestheticism" catalogue essay by Dr. Diana Mille New York, NY |
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| 1997 | Four from America, Dr. Martin H. Schmidt, Thetis Vol. IV, Mannheim University, Mannheim, Germany | |
| 1996 | Art and the Law 1996, West Publishing, Eagan, MN 1996 | |
| 1995 | The New York Times, "75 Statements About Women's Bodies in a Didactic Exhibition", April 2 1995, New York NY. | |
• Allentown Art Museum, PA • Andrew Peller Ltd., Canada • Bessemer Trust, San Francisco, CA | ||
| 2006 | Residency at the Forbes Trinchera Ranch as guest of American Artist Magazine and Christopher Forbes painting in the Southwest landscape creating a suite of paintings on the ever-changing moods of the Forbes Trinchera Ranch. | |
| 2002 | Collaboration with Ms. Elizabeth Hainen, the Principal Harp of The Philadelphia Orchestra which inspired a series of paintings of Ms. Hainen in rehearsal with the orchestra at The Academy of Music including Brilliant Harp featured on Ms. Hainen's CD release of the same name. | |
| 1993 | St. George Project - Variations on a Fantastic Theme Toronto Public Library. A series of site specific architectural sculpture design proposals for Philip Carter Architect using scale drawings and 3D working models. | |
| 1992 | Sangue Latino - A collaboration in a series of paintings for the choreographer Fausto Matias depicting the performer in rehearsals. Mr. Matias' project was recognized by a New York Foundation for the Arts Fellowship in 1993. | |
| 2001-present | Art Students League of New York, Instructor, Painting and Composition, New York, NY | |
| 1998-2003 | New York Academy of Art: Instructor, Painting Composition From Life, New York, NY | |
| 1994 | Mount Holyoke College: Invited to give slide lecture on work to faculty and senior students and to review senior work as a guest critic | |